all about Madonna

1 (-) Madonna – Hard Candy (Warner Bros.) – 282,785

source : hdd

Madonna looks on course to repeat her chart double this week, by once again topping albums and singles charts with Hard Candy and 4 Minutes (both Warner Bros) respectively.

Sam Sparro’s Black And Gold (Island) looks to be 4 Minutes’ closes competitor, in a static singles chart, with Wiley’s Wearing My Rolex (Asylum) a close third.

Kylie Minogue’s In My Arms (Parlophone) looks set to challenge for a top ten placing, while James Fox’s Bluebirds Flying High (Plastic Tomato) should make the top forty.

On the albums chart, Hard Candy’s strongest challenge for the top slot comes from Scooter’s Jumping All Over The World (AATW), while both Def Leppard’s Songs From The Sparkle Lounge (Bludgeon Riffola) and Hadouken’s Music For An Accelerated Culture (Surface Noise) should make the top ten.

The midweek sales charts are available from musicweek.com.

Timbaland and the Neptunes are so dominant as producers, they can sometimes upstage the artist they’re working with … unless that artist is Madonna.

On her new album, “Hard Candy,” Madonna made sure that she wasn’t a guest star on her own album.

“I thought of it as a true and equal collaboration. … I like to think that when you listen to the record, you don’t just go, ‘Oh, that is a Timbaland record or that’s Pharrell (of the Neptunes).’ That you hear it and you go, ‘There is something new and different about it.”

Finding something new and different is the approach that’s kept Madonna on top for most of her 25-year recording career — and made her a member of the Rock and Roll Hall of Fame this year.

The 49-year-old pop queen is once again dominating music airwaves, but she’s also making her mark far away from the celebrity spotlight, in Malawi. The impoverished African nation, from which she found David, the young child she is in the process of adopting, is the subject of her new documentary, “I Am Because We Are,” and her charitable efforts.

Madonna sat down with The Associated Press recently and chatted about her new musical path, life in Malawi and raising kids in the eye of the paparazzi, among other things

AP: You recently signed a deal with Live Nation and “Hard Candy” is your last on Warner Brothers Records. What do you hope to accomplish with the deal?

Madonna: No. 1, coming up with new interesting ways of releasing music. Finding new ways to get music to people, that is one thing. Two is being an equal partner on my records which I have never been before. I have always been signed to a label and I get a percentage of what I earn and now it is 50/50, which is great, and three, is all the great shows I plan on doing.

AP: Would you ever do a pay for play with your music similar to Radiohead?

Madonna: No … I don’t know. I am not sure I like the idea of saying pay whatever you want for it. I think it is good to be specific. … Put a value on it.

AP: Your film, “I Am Because We Are,” is about Malawi, a country that has been ravished by AIDS and poverty. Is it difficult to find hope in such depressing circumstances?

Madonna: I did find hope there because in spite of all of the hardships that people have to endure there, as I say in the film, I saw so much happiness there. I saw that people with so little had so much appreciation for life and so much joy. It gave me a real sense of appreciation for what I have and it made me, it put things in perspective for me. … We have so much and we can often get caught up in our little stupid problems. The kids have nothing to play with. They get plastic bags and bunch them together in what looks like a ball with twine and that is their soccer ball. They are happy. It is fine. You get a real sense of appreciation there.

AP: Do you think the documentary will help to silence some of your critics?

Madonna: It helps explain a lot of the story and the mystery to people. People will have a better perspective. It is always good to know the whole story before you jump to conclusions. The movie isn’t just about the adoption, but I hope it will fill in some blanks for people.

AP: What is the hardest thing you had to endure while making this documentary?

Madonna: I think the hardest thing is watching parents lose their children. I think that is a pain that is unendurable, to bury your children. It is supposed to be the other way around.

AP: Would you adopt again from Malawi?

Madonna: I would like to. They are still trying to finesse the laws and make it so it is not such a long waiting period, which would be good. I would prefer that.

AP: How are you going to balance your projects in Malawi with promoting this album?

Madonna: Not that I have very much free time, but I have a lot of ongoing projects in Malawi. I am building a girls school, and orphan care center. I am refurbishing an orphanage. I have lots of kids to look after on scholarship funds, so I have relationships with people and I want to go back and check in on everybody.

AP: How do you deal with the paparazzi always taking pictures of your children?

Madonna: I don’t like it when they get in their face. It is scary and frightening especially if you are not used to it and you are a kid. I think Lola is a little bit more familiar with it now. My son (Rocco) is still seriously irritated by it.

AP: You, Prince and Michael Jackson turn 50 this year. Will you be throwing a big, joint party?

Madonna: If there is, I am not throwing it. I am tired of throwing parties!

AP: Maybe you all could do a Rolling Stone cover together.

Madonna: Really? (smiles) I don’t know. Ask them. I am a little bit tired of being the one who always has to ask everything. You are going to have to go to them.

source : acko / madonnanation

Madonna is set to sell her country pile for a whopping L3 million profit.

The Queen of Pop bought the estate for L9 million and is looking at putting it on the market for L12 million – despite the credit crunch.

She and film director hubby Guy Ritchie have told pals they do not spend enough time at Ashcombe House in Wiltshire and their West London home is more homely.

source : thesun.co.uk

Madonna arrives at Paris’ Le Bourget airport in a private jet (May 05 2008)

If you didn’t win your tickets for the exclusive show Madonna will perform at the Olympia Hall in Paris on May 6, then here is your chance to attend this so special event!
The first 500 fans who will lineup in front of the Olympia Hall, 28 Boulevard des Capucines, 75009 Paris, tomorrow morning, will get a wristband allowing them to attend the show tomorrow night! Wristbands will be given away tomorrow, May 6, at 10am, Paris time. Good luck and see you at the show!

source : madonna.com

Fans getting hysterical after Madonna is something expected, but what one may not imagine is fans actually walking away with life-size cut-outs of the pop diva.

That’s what happened in Hong Kong where Madge’s cardboard cut-outs in provocative poses used to advertise her new album have been stolen from music shops all around the city, according to reports.

The cut-outs for the promotion of the album ‘Hard Candy’ show the ‘Material Girl’ wearing thigh-length boots.

According to reports from the Sunday Morning Post, almost 10 of the 30 1.6-metre-high cut-outs have been taken from shops ever since they went on display last week.

Record company Warner Music said that it was unheard of for people to walk away with nearly life-size cut-outs from shops, but they were not planning to go to police for looking into the matter.

“We have had people ripping off posters before, but stealing cut- outs certainly takes some guts,” The Daily Telegraph quoted Kelvin Wong, vice-president of Warner Music Asia, as telling the newspaper.

Hard Candy is Madge’s 11th studio album and the last to be released under her current contract with Warner.

source : ani

Madonna had music shoppers heading back to the store last week, with more than 14,000 fans shopping for a copy of her ‘Hard Candy’ album.

Madonna beat Andre Rieu and Damien Leith to the top of the Australian chart, just one week out from the all-important Mother’s Day chart.

‘Hard Candy’ did 14,585 units compared to Rieu’s ‘Waltzing Matilda’ with 10,426 and Leith’s ‘Catch The Wind: Songs of a Generation” with 9,688.

source : undercoverhd.com