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Madonna moves into her new, 58-acre Bridgehampton mansion

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Madonna has finally moved into her new-construction Bridgehampton mansion on Mitchells Lane, which is beside the horse farm she bought from Kelly Klein.
The pop songstress will be ensconced there for the summer. The estate comes with a pool and spa.
“Madonna has already been out here on weekends, riding her horses on her 58 acres,” a spy says. But don’t expect to see her hanging out at Candy Kitchen or any of the fancier joints in town. “She never goes out. She’s so happy in her house that she never leaves,” the spy said.

New York Post

Madonna Reschedules First Five Rebel Heart Tour Dates

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Madonna has rescheduled the first five nights of her Rebel Heart Tour, delaying the international trek’s launch more than a week.

Her planned concerts in Miami on Aug. 29 and 30, Atlanta on Sept. 2 and San Juan, Puerto Rico, on Sept. 5 and 6 have now been moved to January 2016. Tickets for those previously announced dates will be honored for the newly scheduled shows.

The tour’s new opening night is Sept. 9 in Montreal, Quebec.

“As my fans already know, the show has to be perfect,” said Madonna in a statement. “Assembling all the elements will require more time than we realized. I apologize for any inconvenience this may cause my fans. I can promise you this show will be worth the wait. Can’t wait to share it with all my Rebel Hearts out there.” …continue reading »

Madonna was high on ‘endo’ on Letterman show in 1994

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Daniel Kellison talks about Madonna guest appearance on letterman show back in 1994 for grantland.com

In 1994, if Julia Roberts was the biggest female movie star in the world, Madonna was arguably the biggest female star. At the same time, due to her pioneering promiscuity and her seemingly insatiable interest in surly actors, athletes, and rappers, she was also endless fodder for the tabloids — and late-night hosts. Dave loved her; she was the gift that kept giving. (As he was fond to repeat back then, “I have a theory about Madonna. I think she likes to shock us.”)

So we were very surprised when she agreed to come on the show. I spoke with her longtime rep, Liz Rosenberg, and she said Madonna was interested in coming on and basically giving it back to Dave — a little reciprocal ball-breaking, as it were.

This was, hypothetically, a problematic plan. Not that he couldn’t handle her, but Dave was a professional comedian. Madonna was a professional singer. This could go south quickly if un-reined. (Maybe you saw Madonna’s painful recent attempt at stand-up on Jimmy Fallon?)

After discussing it with Dave, I proposed a plan I thought was pretty bulletproof, that would make her look good, be “funny,” and satisfy her larger goal of making Dave squirm. I got on the phone with Madonna, who was surprisingly and truly lovely, and pitched my idea: How about you go on and complain that he’s been taking shots? He will say it’s exaggerated, he loves you, etc. — and then you say, “Oh yeah? I actually brought some tape from the show.” And then you show, in succession, three of the most horrible jokes he has told — and ask him to explain each one. That ensured his awkwardness — and the laugh. She signed off on the plan without hesitation. I then went and told Letterman I’d had a great talk with her and that she was super-engaged and receptive to the idea — and unless something went terribly wrong, I thought we were in good shape.

Madonna on David letterman show in 1994

The day of the show, she arrived to much fanfare and press anticipation, but with no entourage. Her only accompaniment was her makeup person, Kevyn Aucoin. I walked up to her dressing room, knocked on the door, put out my hand, and said, “Hi, I’m Daniel.” She didn’t get up or offer her hand. Instead she said, “Suckmad*ck.” I took a beat. “Sorry?” She looked at Kevyn, smiled, and said it again, slower, like a petulant 8-year-old child challenging a parent: “Suck–ma–d*ck.” She and Kevyn began laughing hysterically. Immediately, I thought: We’re screwed. I smiled wanly and powered on: “Ha … OK, so this will pretty much go as we discussed. We’ve loaded up three pieces of video, each one worse than the other, and after each one …” She stopped me. “That’s too much to remember.”

Hmmm. I paused, now more annoyed than anything. “Uh, not really. It’s actually pretty simple — you show a tape. Get his reaction. Show another. Get his reaction. There are three …” “Yeah, I’m not going to remember all that.” Me, trying not to let my voice break and betray my now very urgent concerns: “Why not?” She started giggling again. “We smoked a little endo before we came here …”F*ccccckkkkkkk!!!!

I went down to Dave’s dressing room, which I tried not to do before the show. “We’re in trouble.” Very graciously, he didn’t tell me “I told you so,” instead, knotting his tie with a slight grimace, seemingly bracing himself for the storm.

The intro I wrote probably didn’t help matters: “Our first guest tonight is one of the biggest stars in the world, and in the past 10 years she has sold over 80 million albums, starred in countless films, and slept with some of the biggest names in the entertainment industry.” But there was no way we could have anticipated what followed. It was the most censored late-night broadcast in television history, with Madonna saying “f*ck” 14 times. She took off her underpants and complained when Letterman wouldn’t smell them. And if you think Letterman was happy about all the subsequent attention and newspaper coverage the interview brought, you’d have guessed wrong. He always understood the privilege that came with the ability to broadcast, and the responsibility that accompanied it. Ratings and press were less a consideration.

Compounding matters was the fact that Madonna would not leave the stage. We bumped the next guest (a grocery bagger — an annual human interest competition winner that Dave, a former bagger himself, genuinely always enjoyed). Dave tried to say goodbye again. She wouldn’t leave. Counting Crows was just about to make its network television debut — and we were going to have to bump the band if Madonna didn’t budge. Sheila Rogers, the talent executive who has possibly given more bands their first breaks than anyone in the history of TV, went to Morty to ask what was happening. Morty then turned to me and said, “Get rid of her.” I said, “How am I supposed to get rid of her?” But the implication was clear: This was a problem I’d created, and now it was up to me to salvage the rest of the show. As Paul and the band blasted their mid-break song, I walked onstage and said loudly, “Say hi to the audience.” Madonna waved. As she waved, I took her hand, as if I was helping her up — and I did, in fact, lightly pull her up. And over the band I said loudly again, “Say goodbye …” Confused, she waved. Still holding her hand I led her offstage.

Watch: Madonna on the set of “Bitch I’m Madonna” video

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And then hangin at @diplo hotel and @Madonna runs down the hallway on acid… Kind of weird… Haha

A video posted by Wayne Coyne (@waynecoyne5) on

Madonna Makes History With 45th No. 1 on Billboard’s Dance Club Songs Chart

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The Queen of Pop reigns with “Ghosttown,” giving her the most No. 1s of any artist on a single Billboard chart. “Thanks to all my fans on & off the dancefloor,” she tells Billboard.

The Queen of Pop is now unequaled chart royalty. Madonna makes momentous Billboard chart history, as she now has the most No. 1s ever, 45, by an act on a singular Billboard chart. She earns her 45th No. 1 on Dance Club Songs, where “Ghosttown” lifts 3-1.

(The chart, dated May 30, will refresh on Billboard.com Thursday, May 21.)

With the coronation, Madonna passes another icon, George Strait, who’s logged 44 No. 1s on Hot Country Songs.

“Thanks to all my fans on and off the dancefloor,” Madonna said in an exclusive statement to Billboard. “I’ll (always) be your partner.”

With her 45th leader on Dance Club Songs, which measures reports submitted by a national sample of club DJs, Madonna pulls further ahead of runners-up Beyonce and Rihanna. In fact, Madonna has tallied more No. 1s as they have combined: 22 each. (The chart launched as a national survey in the Billboard issue dated Aug. 28, 1976.)

Madonna bests Strait (still, and always, the King of Country), who’s sent 44 singles to No. 1 on Hot Country Songs between 1982 and 2009. He first reigned with “Fool Hearted Memory” (Aug. 28, 1982) and most recently ruled with “River of Love” (April 18, 2009).

“Ghosttown” was released, in its original ballad form, on Madonna’s 13th studio album, Rebel Heart, which launched at No. 1 on the March 28 Top Album Sales chart with 116,000 first-week copies sold, according to Nielsen Music. Remixes from Don Diablo, Mindskap and Armand Van Helden, among others, helped the track top Dance Club Songs. (The original version, meanwhile, ranks at No. 20 on Adult Contemporary and debuts at No. 38 on Adult Pop Songs.) First Rebel Heart single “Living for Love” became Madonna’s 44th Dance Club Songs topper on the March 7 chart.

Madonna wrote “Ghosttown” with Evan Bogart, Sean Douglas and Jason Evigan. “When I write with people, we always try to come up with a theme,” she told Billboard’s Keith Caulfield in December. “So, this one is about the city after Armageddon. The burnt-out city, the crumbling buildings, the smoke that’s still lingering after the fire. There’s only a few people left. How do we pick up the pieces and go on from here?

“Kind of dramatic,” she added with a laugh.

In honor of Madonna’s milestone achievement, here is an updated look at Madonna’s 45 historic Dance Club Songs No. 1s, beginning with the double-sided single “Holiday”/”Lucky Star,” which reached the top the week of Sept. 24, 1983. You’ll notice that one of her No. 1s is an entire album: You Can Dance (1988), a collection of mostly remixes of previously-released songs (and one new cut, “Spotlight”). Prior to Feb. 23, 1991, the chart wasn’t always song-specific and full albums were, at some points, allowed to chart.

(For titles that spent multiple weeks at No. 1, total frames in the lead are noted in parentheses.)

Madonna’s 45 Dance Club Songs No. 1s

1983, “Holiday”/”Lucky Star” (five weeks at No. 1)
1984, “Like a Virgin” (four)
1985, “Material Girl”
1985, “Angel”/”Into the Groove”
1987, “Open Your Heart”
1987, “Causing a Commotion (Remix)”
1988, “You Can Dance (LP Cuts)”
1989, “Like a Prayer” (two)
1989, “Express Yourself” (three)
1990, “Keep It Together”
1990, “Vogue” (two)
1991, “Justify My Love” (two)
1992, “Erotica”
1993, “Deeper and Deeper”
1993, “Fever”
1994, “Secret” (two)
1995, “Bedtime Story”
1997, “Don’t Cry for Me Argentina”
1998, “Frozen” (two)
1998, “Ray of Light” (four)
1999, “Nothing Really Matters” (two)
1999, “Beautiful Stranger” (two)
2000, “American Pie”
2000, “Music” (five)
2001, “Don’t Tell Me”
2001, “What It Feels Like for a Girl”
2001, “Impressive Instant” (two)
2002, “Die Another Day” (two)
2003, “American Life”
2003, “Hollywood”
2003, “Me Against the Music,” Britney Spears featuring Madonna (two)
2004, “Nothing Fails”
2004, “Love Profusion”
2005, “Hung Up” (four)
2006, “Sorry” (two)
2006, “Get Together”
2006, “Jump” (two)
2008, “4 Minutes,” Madonna featuring Justin Timberlake & Timbaland (two)
2008, “Give It 2 Me”
2009, “Celebration”
2012, “Give Me All Your Luvin’,” Madonna featuring Nicki Minaj & M.I.A.
2012, “Girl Gone Wild”
2012, “Turn Up the Radio”
2015, “Living for Love”
2015, “Ghosttown”

Billboard

Videos: Madonna at the MET Gala

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Listen: Madonna’s New Ghosttown Remixes

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Ghosttown (Offer Nissim Mix)

Ghosttown (Offer Nissim Drama Mix)

Ghosttown (Mindskap Remix)

Ghosttown (Armand Van Helden Remix)

Ghosttown (Armand Van Helden Instrumental)

Madonna’s Instagram: Rescue Nepal!

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Rescue Nepal! Send love and support to the victims of the earthquake in Nepal. Join me by giving to @MercyCorps to help provide critical emergency Aid to the survivors! <3 #livingforlove

Madonna calls for Nepal support

Madonna via Instagram

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