Watch: NRJ Interview with Madonna
Videos are now available for streaming at NRJ.fr
Videos are now available for streaming at NRJ.fr
Full Interview airs tommorow morning at 7:40!
Richard Wilkins has interviewed Madonna for Australia’s Channel 9 show “Today”. The interview will be aired some time this week. Watch a brief video announcement bellow :
Thanks to Matt / MadonnaAustralia
IN THE LATEST ISSUE of MOJO magazine, available in the UK and online from Tuesday, January 27, Madonna speaks candidly about the musical choices and lyrical confessions that have driven her from Michigan misfit to global superstar via the musical melting pot of New York in the late-’70s/early-’80s.
“All my friends were DJs so I wanted my records to sound like what I wanted to dance to,” says Madonna of her musical baby steps. “I would go to clubs and I would listen to what would make me dance. And then I would go back and I would work on my music. I mean, I was influenced by Debbie Harry, Talking Heads, The B-52’s. So to me the line was very blurred between what I was working on and what I was dancing to.”
Madonna also holds forth about drugs, religion, free music in the digital age – her position very different from that of recent MOJO cover stars U2 with whom she shares manager Guy Oseary – and her latest studio album, her 13th, entitled Rebel Heart. But again and again she returns to her passion for music and its atavistic power.
“Just the feeling of the tribal, the community,” she tells MOJO’s Tom Doyle. “Y’know, people coming together in a room. That bass booming, people dancing, moving in unison. There’s something really primal about it and inexplicable. I think it’s in our nature to want to do that. To want to join together and move to a beat.”
It’s the first time Madonna has been on the cover of MOJO magazine, an occasion prompting two editions: a news-stand version and a Special Subscribers’ Issue with exclusive artwork overseen by Madonna herself. An extra 500 subscriber issues are available to purchase online.
Madonna has defended her description of the leak of 13 unfinished demos from her forthcoming album as “a form of terrorism” and “artistic rape”.
Speaking to the Guardian on Sunday, the singer said she was “living in a state of terror” following the leak, adding that there was “a big possibility” they were the result of her personal computer being hacked.
“Obviously there is a person, or a group of people behind this that were essentially terrorising me. I don’t want to sound alarming, but certainly that’s how I felt. It’s one thing if someone comes into your house and steals a painting off your wall: that’s also a violation, but, your work, as an artist, that’s devastating.
“I’m an artistic person, I’m very expressive. I’m sorry if words alarm people, but that’s what it felt like. It was not a consensual agreement. I did not say ‘hey, here’s my music, and it’s finished.’ It was theft.”
On Saturday, Madonna unexpectedly released six tracks from Rebel Heart on iTunes, following the leak of the unfinished songs earlier in the week: the album itself is not due for release until March. She immediately reached No 1 in the iTunes chart in 36 countries, a situation she described as a miracle. …continue reading »
It’s a rather large understatement to say that it’s been a crazy couple of weeks for Madonna.
On Tuesday night, more than 10 of the singer’s unreleased demo recordings turned up on the Internet, causing the singer and her team to go into “overdrive” to combat the stolen leaks. (“I haven’t slept in a week,” she says.) The songs were from the sessions for her forthcoming 13th studio album, which at the time, had not been announced (and is still not finished).
To counter the leak, Madonna accelerated the release of new music: On Friday night (Dec. 19), she announced that her album, Rebel Heart, would be released on March 10, 2015 through Interscope Records, and six of its tracks would become immediately available to purchase. Among those tracks are the set’s lead single, the Diplo-produced soul-meets-house jam “Living For Love.” How far ahead of schedule was the release? The single wasn’t supposed to premiere until Feb. 14, 2015.
The album — which features a collaboration with Nicki Minaj — is also available to pre-order, and has topped the iTunes Store’s top albums tally in more than 40 countries, including the United States. She also dominated the real time Billboard + Twitter Trending 140 chart on Saturday night (Dec. 20), where two of the album’s songs (“Living For Love” and “Bitch, I’m Madonna”) were concurrently in the top three.
Billboard spoke to Madonna on Sunday morning via phone, to talk about her new album, its “chaotic” recording process, and how her day-to-day business has changed because of the leaks. She also discusses her fondness of Diplo (he’s a “badass”), a possible Grammy Awards performance, and how no one has ever called her an “Unapologetic Bitch.”
Billboard: How are you doing?
Madonna: I’m good. I’m good, I haven’t slept in a week, but I’m good.
I can only imagine the week that you’ve had so far.
Yeah. It’s been a very intense couple of weeks.
Are you OK right now? As OK as you can be considering what’s been happening?
Yeah. I mean, you know, I’m not happy that unreleased demos are out there in the world for people to hear, listen, judge, etcetera, etcetera. Once that happened we went into overdrive. A) Trying to figure out where the leaks were coming from, and then B) Trying to combat that with putting out finished music that people could focus on versus demos that were never meant for anyone to hear. So, that led to no sleep. …continue reading »
‘Rebel Heart': Madonna Reveals the Story Behind Six Surprise Songs
In her first Q&A about the surprise launch of her 13th album, the Queen of Pop opens up about working with Nicki and Kanye and who’s really in the Illuminati
For the past year, Madonna has been updating fans on the progress of her 13th studio album through Instagram posts picturing collaborators (Nicki Minaj, Avicii, Diplo) and inspirations (children in Malawi, Miley Cyrus, placards reading “I need more money and power and less shit from you people”). But last week her creative process was interrupted by the leak of 13 songs she characterized as “unfinished demos.” Faced with a potential calamity, her team made a quick decision: finish and release six of the tracks immediately on iTunes and set a firm early-March 2015 release date for the full LP, titled Rebel Heart.
The day after the tracks hit iTunes, Madonna was Number One on the digital music service’s charts in 41 countries — everywhere from the U.S. and Israel to Russia and the Philippines. And she gave her first interview about the surprise launch to Rolling Stone:
It’s safe to presume you’ve had a busy couple of days?
Oh my goodness. So busy. Let’s talk about something good.
The album focuses on two themes: listening to your heart and being a rebel. When you sat down to write, were you guided by these ideas above any musical plans?
I never sit down and consciously think I want to write a song about a subject. Music leads me to ideas and to where I want to go emotionally. When I first started, I was writing with Avicii’s team of writers and they were separated into two different groups. One of them had a much more upbeat approach to songwriting, sonically speaking, and the other team chose darker chords. The music leads me – so I get lost in the sound of the music, and that creates a kind of emotional palate. I found as I would look back at my songs and witness what I had written, I was coming from two very distinct places. That happened organically, not planned out, and I was observing, “Oh, these are two very strong sides of me that I need to express.”
So decisions about who you trust to guide you, musically, are clearly quite crucial.
Yeah. And sometimes in the writing phase of the music, there are some people who I really felt a connection to, just as human beings, and felt they understood me as a songwriter and a person, so those people were easier for me to write with. Writing songs, you have to be vulnerable, you have to not be afraid to express yourself and to say things or share. It’s almost like writing your diary in front of somebody and reading it out loud. Some people made me feel comfortable and I felt connected to them and other people seemed very strange to me. It was almost like an acting exercise, you know, just putting myself in a room and letting ideas flow even if I didn’t feel so connected to the people. …continue reading »