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Madonna is the most successful woman in German charts

German TV station RTL broadcasted the “Ultimative chartshow – most successful female singer” in German over the last 40 years, based on how many weeks (more than 1 week) their singles spent in the Top 10 of the German charts. In total 73 female singer were listed.
No.1 was Madonna.
They showed several short video clips (interviews, Madonna’s first live performance with “Holiday” on German TV , music videos) and stated:
Madonna had 19 Top 10 hits in Germany, spent 136 weeks in the Top 10 with “La Isla Bonita” being the most successful single of her. Each one praised her for her talent, strength, and permanent Re-Invention.
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Madonna Plans Jazz Duet

Pop superstar Madonna is planning a duet with African jazz singer Cesaria Evora.
Fans of the 63-year-old Cape Verdan star were surprised to see the Material Girl in the crowd at a concert Evora gave in London last week.
But sources say Madonna is a huge fan and desperate for the pair to collaborate.
An insider reveals, “She’s a big admirer of Cesaria’s. As far as I know, nothing’s been signed yet, but I think they could be singing together soon.”
And a spokesperson for Evora’s record label Bmg admits a duet isn’t out of the question: “A collaboration wouldn’t surprise me. Cesaria has an immense global following.”
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Elton John not sorry for slagging off Madonna

British pop star Elton John held back on Tuesday from apologising for his recent foul-mouthed attack on Madonna, whom he accused of miming during live performances, saying she is an “artist of the video age”.
“I do regret hurting her feelings because she’s a major artist,” John told Television New Zealand from Las Vegas where he is performing.
However, he appeared to qualify his regret by adding: “But she’s a major artist of the video age and she’s not the same kind of artist as U2 or Springsteen or Prince or Sting, or someone like that.”
Picking up a songwriting award from Q music magazine in London earlier this month, John publicly attacked Madonna when he heard she had been nominated for best live act.
“Anyone who lip-synchs in public on stage when you pay, like, 75 quid to see them should be shot,” he said, referring to London ticket prices for her Reinvention tour.
“Madonna, best f*cking live act? F*ck off,” John said loudly.
Asked by the TV New Zealand interviewer if Madonna is still speaking to him, John said: “Well, she’s probably not actually, which is a shame, but I’m going to have to rectify that.”
He said he does not regret saying it “because I have a bee in my bonnet about live shows”.
Her show isn’t totally live, he said.
“Madonna is a great artist — I hate to hurt her. I don’t like slagging people off.”
The pop star added: “It was in the context of a very rowdy lunch. Sometimes when you say something and then it’s written down on paper, it looks totally different.
“But I do think she’s a good person and I will try to rectify that.”
The American pop superstar rejected John’s charge at the time, saying she does not lip-synch or criticise other artists.
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Interview with Dabbie Harry

Debbie Harry and Edinburgh were made for each other. Like the city, she is iconic with a certain arctic hauteur and a tendency today towards a venerable cragginess. And like its Morningside inhabitants, she has also been known to parade about with no knickers.
Despite a number one hit with “Maria”‘s jangly pop a few years ago, most of Harry’s fans braving the Hogmanay hoar will be in their thirties and forties, a generation who still remember Harry’s late-70s heyday as sex on a record; the result of some weird chemical experiment involving Nico, Michelle Pfeiffer and a big bottle of bleach. More knowing than Marianne Faithful, less self-exploitative than Madonna, she was in her thirties when Blondie had hits with “Denis” and “Sunday Girl”. Surrounded by the gaucheness of punk, and possessing cheekbones you could hang coats on, the age factor added to her alluring image of mature sexuality. Her habit of wearing skirts with no beginning probably helped too.
An adopted child who grew up in New Jersey dreaming that her real mother was Marilyn Monroe, Harry has said that when she first started singing in groups, she would sometimes wonder if her birth parents were out in the audience, watching her. Yet she never tried to trace them. Instead she threw her energy into gaining wider attention: “In those early days, I was obsessed with fame and fortune. I really wanted to be noticed and adored. It was a big motivating factor and it got me through a lot of bullshit I would never have stood for otherwise.”
As an adventurous teenager in New Jersey in the Fifties, she listened to the liberating rhythm and blues of Fats Domino and Bo Diddley. “I had a boyfriend who was hip. We’d go to the Village to see bands. Back then, there was that sense that everything was up for grabs. Kind of like punk later on.”
She moved to Manhattan and worked as, among other things, a waitress and a Playboy Bunny girl. She sang in bands; rumour has it she became a groupie, hanging out on the New York punk scene with the Ramones and Iggy Pop and dabbling with narcotics from heroin to LSD and cocaine.
A former cohort of Andy Warhol, Harry was singing with an all-girl trio called The Stilettos when she met Chris Stein. They became inseparable, forming a group together called Angel and the Snake which later became Blondie.
“Every night you just had to watch where you walked,” she recalls of their journeys home from gigs in the early days. “And all you’d get was a couple of beers for playing. We had been playing there for six months with the bikers shouting: “Hey, Blondie”. One night it clicked. I thought: “That’s it – let’s call the band Blondie.”
Blondie’s first hit, “Denis”, a pop-punk remake of the 1963 original, made it to number two in the British charts in 1978. That same year, the band’s album, Parallel Lines, became a million-seller. From then until the mid-Eighties, Blondie were a bombshell to be reckoned with, and far more musically ambitious than they needed to be. Although nobody thanked them for it at the time, Harry was the first to introduce rap music to a mainstream, white audience with their 1980 hit “Rapture” “and then you’re in the man from Mars, you go out at night eating cars…”).
But of course a large part of Blondie’s commercial success was centred on Harry’s sexiness, as was much of the criticism that followed. Long before Madonna’s more hard-nosed hard-sell sexuality, Harry was going on stage without any knickers, acting out the part of an assertive blonde bombshell. She attracted condemnation even for a jokey picture where she pretended to lick a record.
After a long series of Blondie hits, however, she took a break at 38 to care for Stein, her lover and guitarist, who had been afflicted with pemphigus, a rare and often fatal skin disorder. Stein slowly recovered, but at the expense of their relationship and Harry’s career. “At that point, I never thought I would have a viable pop career again,” she noted later. “I thought I was finished. I was tired and disillusioned, burnt out.”
She was also physically falling apart; in her forties and early fifties she hit her “ice-cream years” and had her widely discussed weight problems. Then after two decades of peroxide, she went bald in her forties, so she gamely got a crop and a selection of wigs for outdoor wear. “Now that I am a middle-aged woman,” she said bravely, “I have become like Cher.” Cher, however, had not recorded now-ironic hits such as “Eat To The Beat” and “Die Young, Stay Pretty”. And yet Harry has weathered the years better than, say, Mick Jagger or Ronnie Wood, and at 59 is now back in shape thanks to diet and surgery.
Harry is still on the road at venues such as the Edinburgh Hogmanay bash because Blondie made her famous but not rich; the band being one of the last of that foolish breed of rockers who apparently signed recording contracts without consulting lawyers. Consequently their 25 million sales went largely to the record company. It says something about Harry’s strength of character that she refuses to whine about this, or the other disappointments she has had along the way.
When she went solo she changed her name to Deborah, but found the fans only wanted Blondie. Despite a hopeful hit, her record company had also lost interest. “French Kissing” was a massive success, but my relationship with Warners was over by then. They were too busy pushing some other blonde. I felt overshadowed by their commitment to Madonna, and this feeling that I was being viewed as some sort of competitive thing that they couldn’t devote much time or energy to. Those songs sort of happened on their own.”
She claims not to feel any real resentment towards Madonna, despite the fact that the younger woman effectively stole and coarsened her act. “But she did it so well,” she says, without bitterness. “She’s a very smart woman, actually. I really respect her.”
However, even Harry could not dig up a generous response to Atomic Kitten, who covered her hit “The Tide is High”.
A film career Harry hoped might blossom, obstinately refused to germinate beyond bit parts in Hairspray and Videodrome. And while Stein has gone on to marry, twice, and have a child, Harry is unmarried and alone. “I don’t feel frustrated,” she has said. “If I want to have children I can always adopt. Or I can go out and steal them.”
Old pop stars never really fade out, they simply re-release. The onward journey may not carry much dignity but there’s no mistaking Harry’s determination and willpower in pulling herself back to life so many time, professionally and personally. “In some ways it’s pretty preposterous that anybody my age is doing what I do but I don’t feel bad doing it,” she said recently, “and I feel like I’m doing a good job.” Debbie Harry may have outgrown her sex kitten stylings, but she has matured into a woman altogether more substantial and formidable.
source : MadonnaNation /

To lip-sync or not to lip-sync? That is the question

But how does this relate to next month’s long-anticipated DVD release of 1985’s Live Aid benefit concert, let alone to Elton John’s recent attack on Madonna?
Glad you asked.
Sir Elton, as he is known in his homeland, was quick to blast Madonna earlier this month at the annual Q Awards show in London.
“Madonna – best (expletive) live act?” he sputtered. “(Expletive) off. Since when has lip-syncing been live? Anyone who lip-syncs in public on stage when you pay (about $169 per ticket) to see them should be shot.”
John, who was apparently unaware that some tickets for Madonna’s recent tour cost up to $800 each, then quipped that he would be booted off her Christmas card list: “But do I give a toss? No.”
Madonna’s publicist, Liz Rosenberg, responded: “Madonna does not lip-sync, nor does she spend her time trashing other artists. She sang every note of her Re-Invention tour live and is not ashamed that she was paid well for her hard work.”
Eager to help out, Madonna’s actor friend, Rupert Everett, came to her defense, in a manner. “Madonna sings everything she can sing,” Rupert told reporters in England. “But, if she goes into a dance routine, she’s got to dance; you can’t breathe and dance and sing at the same time.”
Since Madonna danced through the majority of songs on her Re-Invention tour, which bypassed San Diego, Everett’s comments don’t exactly bolster the case for her singing live. (For the record, James Brown, Tina Turner and many other gifted artists are living proof that you can simultaneously sing and dance – if you’re talented enough).
It’s no secret that Madonna has lip-synced for years, most notoriously on her Blonde Ambition tour of 1990, which found her talented six-man band miming at least some of its parts as well.
But a flat, hopelessly out-of-tune Madonna did sing live during her mini-performance at Live Aid in 1984. Barring a last-minute change, her unaltered vocals on “Holiday” and “Into the Groove” are scheduled to be included the four-DVD Live Aid release, which is due for release Nov. 10 on Warner Vision International.
Madonna’s unadorned singing was so shrill that even Pop Scene – which has long condemned lip-syncing performers – believes Live Aid would have benefited had Madonna not sung live.
That all-star benefit, as you may recall, was spearheaded by Boomtown Rats singer Bob Geldof to raise money for African famine victims. Held at London’s Wembley Stadium and Philadelphia’s JFK Stadium, the marathon Live Aid concerts raised about $120 million, thanks to worldwide TV coverage, viewer donations and performances by U2, Queen, Sting, the Who, Neil Young, Eric Clapton, Tina Turner, Mick Jagger, Madonna pal Elton John, the Pretenders and many more.
Other artists included Paul McCartney. But the former Beatle was so unhappy with his London Live Aid performance of “Let It Be” that he insisted on recording his vocals anew for the DVD. The reason, ironically, is that McCartney’s microphone went dead for the start of the song, which made it appear that – unlike Madonna a continent away – he was lip-syncing.
Conversely, Led Zeppelin has decided that its Philadelphia Live Aid reunion is beyond repair. Guitarist Jimmy Page, singer Robert Plant and bassist John Paul Jones recently issued a release describing their performance (which featured both Phil Collins and Chic’s Tony Thompson subbing on drums for the deceased John Bohnam) as “substandard.”
To compensate for their absence from the DVD, Plant and Page will donate proceeds from their upcoming DVD, “No Quarter: Jimmy Page & Robert Plant Unledded” (due out Oct. 26), to the Band Aid Trust.
Jones, meanwhile, is giving to the trust his earnings from his recent North American tour with Mutual Admiration Society, the ad-hoc band that teamed him with the three members of San Diego’s Nickel Creek, ex-Toad the Wet Sprocket frontman Glen Phillips and veteran Elvis Costello drummer Pete Thomas. That tour, like so many others, also bypassed San Diego.
Giving Madonna a run for her money in the most out-of-tune performance of the day competition was the mangled-up-in-blue acoustic mini-set by Bob Dylan, Keith Richards and Ronnie Wood, who stumbled through “Ballad of Hollis Brown,” “When the Ship Comes In” and “Blowin’ in the Wind” (the only song to be included on the DVD).
Curiously absent are any of the Live Aid performances by a number of performers, including Santana, Pat Metheny and Run DMC, who were the event’s sole hip-hop act. As for Madonna and Elton John, speculation that they will team up for a remake of “Don’t Go Breaking My Heart,” John’s disco-tinged 1976 duet with Kiki Dee, is unfounded.
For the record, John’s recent acerbic remarks about Madonna’s lip-syncing aren’t the first time he’s dissed the Material Mom.
In 2002, he blasted her performance of “Die Another Day,” the theme song to the James Bond film of the same name. “It hasn’t got a tune,” he charged at the time. “James Bond themes are usually very camp and this one’s different. It is the worst Bond tune of all time.”
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Stroke hits Madonna’s rabbi guru

Madonna’s personal kabbalah guru Rabbi Philip Berg has suffered a stroke and is now wheelchair-bound, raising fears the controversial spiritual leader may not have long to live.
Since his stroke a month ago, Berg has remained in a Los Angeles hospital with his health in decline, one of his assistants said.
Most of his devoted followers at the Beverly Hills Kabbalah Center, where celebs such as Demi Moore, Ashton Kutcher and Britney Spears often visit, are unaware of the guru’s serious health woes.
The 76-year-old rabbi was spotted by The Post last week making the trip from his hospital bed at Cedars-Sinai Hospital, where he has been treated as an in-patient, to a $2 million Beverly Hills mansion owned by his eldest son, Yehuda Berg.
Yehuda and Berg’s other son, Michael, were seen gathering with other friends around the rear of the car in order to help the ailing rabbi out.
Family and friends attached a small ramp from the back of the van to the driveway and the rabbi was wheeled down in a wheelchair, his head slumped over and looking very weak.
One of his assistants said the rabbi was struggling to regain his strength after the stroke.
“He’s doing OK right now, but we’ll see in time,” he said.
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Madonna Skin Care - MDNA Skin

The Adventures Of Abdi Announcement

“We are very pleased to be able to offer a chance to pre-order Madonna’s latest book, The Adventures of Abdi. The book is a beautifully illustrated hardcover picture book about Abdi, a little boy who has been given a very big task. He is to deliver the most precious necklace in the world “made by Eli, his teacher and a master jeweler” to the queen. Along the way he is robbed in the desert, thrown in a dungeon, and has a surprising encounter with a snake. But no matter what obstacles he faces, Abdi never gives up hope, guided by Eli’s wisdom that “everything that happens in life is for the best.”
The store is also offering an exclusive T-shirt featuring one of the distinctive illustrations from the book on the front and the book’s title and the name of the author (you’ve heard of her, right?) on the back. This shirt comes in two colors (light blue and sand) and in both youth sizes and adult sizes. This shirt is only available there, pre-order before 3:00pm EST on Thursday, November 4th, and you will be automatically entered into a contest with a chance to win an autographed copy of the book.
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Madonna In Rome (1990)

While being in Rome for the Blond Ambition Tour in July 1990, Madonna left a nice autograph to the Hotel in Via Veneto where she stayed. Now the website of the Hotel Majestic has put online nice souvenir. (
source : madonnatribe

New “Easy Ride” Remix

“I’m very pleased that together we completed severl original projects which will soon be announced”, says the Dj on her official website… “We worked together on one remix project, Madonna’s Easy Ride, which you can hear in our sets”. – DJ Tracy Joung
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From Madonna to the Mod and beyond

A clarsach player who entertained the pop star Madonna at her Scottish wedding swept the boards at the Royal National Mod in Perth yesterday.
Jennifer Port, from the village of Golspie, north of Inverness, won four medals in what was probably the most impressive individual performance of the day.
A graduate from the Royal Scottish Academy of Music and Drama, the 23-year-old hopes her success at the Mod will help to establish her career as a professional clarsach player.
“At the moment, I suppose you could say that I am a full-time freelance musician. I am just gigging all the time. I spend more of my time in the car than anything else.”
There are few ordinary people, like Ms Port, who have come into personal contact with Madonna. Ms Port performed when the pop icon was married at Skibo Castle four years ago.
Ms Port said that Madonna was impressed with her clarsach-playing abilities.
“It was a bit different to playing in a Mod competition, but, yes, I spoke to her and she did seem to really like my playing,” said Ms Port.
Meanwhile, the Lord Provost of Perth, Bob Scott, said that judging by the talent on show at the junior competitions on Monday and Tuesday, he would have no problems in supporting further Gaelic music events throughout the year.
“The Mod has been very, very well received by the people of Perth,” he said. “The business community has also benefited, and they have taken full part in the Mod.
“You certainly know that there is a Mod in Perth.
“I have been very, very impressed by the talents of the young competitors at the Mod.
“In fact, I would say that I would have no problem in putting such concerts on at the Perth Theatre or the Pitlochry Theatre at any time.
“If the Gaelic language is going to survive, then the young are the key and we are willing to support that.”
Angus MacDonald, the president of Mod organisers in An Comunn Gaidhealach, said he was heartened by how the week had gone.
He said “We have been very impressed with Perth. There is a real buzz about the place, and I am quite sure that as the week goes on it will only get better and better.”
Today will see the conclusion of the individual adult solo singing competitions, with much of the attention expected to focus on the performance of Wilma Kennedy in the traditional event.
Ms Kennedy is one of the most familiar names on the Gaelic music scene and already has the coveted gold medal under her belt after picking up the award back in 1991. Now she is aiming to join the exclusive club of Gaelic singers who have captured both of the top solo prizes.
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Elton says sorry to Madonna

Irascible rock star Sir Elton John has admitted he may have been unfair in comments about Madonna’s supposed miming on stage.
At a charity fundraiser in Los Angeles he said: “It was probably a bit unfair because there are people who lip- sync worse and whole shows are lip-synced. Her show is not wholly lip-synced.
“Madonna is a great artist, a great performer and a great writer.”
He had erupted over her nomination for best live act at a London awards ceremony earlier this month, saying: “F*** off ! Since when has lipsyncing been live?”
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