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Madonna News Archives for February 2012

Give Me All Your Luvin on Charts – Week #3

Australia (Singles) – 25-44-61
Australia (Digital) – 25-/-/
Austria – 11-22
Belgium Flanders/Wallonia – 6-5-6 / 3-3-3
Canada (Hot 100) – 11-1-7
Canada (Digital) – 6-1-11
Denmark – 16-18-34
Finland (Singles) – 1-9-16
Finland (Digital) – 1-9-16
France (Single) – 4-3-6
France (Digital) – 4-2-6
Germany – 8-28
Greece (Digital) – 2-5-/
Ireland (Singles) – 11-26-44
Ireland (Digital) – 11-/-/
Italy – 2-2-6
Luxembourg – 10-/
Netherlands – 2-22-27
Portugal (Digital) – 5-4-7
Spain – 2-3-6
Sweden (Digital) – 2-5-12
Switzerland – 6-20
UK (Singles) – 37-51-93
US (Hot 100) – 13-10-39
US (Airplay) – 28-59-63
US (Digital Sales) – 7-6-32
MediaTraffic (WorldWide) – 22-7-21

Madonna’s Oscars Party Details

…Her film W.E. is nominated for an Academy Award for best costumes, and the star has promised to sing live at her annual post-Oscar party, which is being held at her manager Guy Oseary’s house.
Confirmed party guests include Angelina Jolie, Brad Pitt, Britney Spears, Natalie Portman, Sean Penn, Tom Hanks, Jennifer Lopez and Tom Cruise.
She has also apparently phoned Penelope Cruz, Bradley Cooper and Cameron Diaz to personally invite them to the party, which she usually co-hosts with Demi Moore, who is recovering from a breakdown.
Daily Mail

Girls Gone Wild Lyric Video postponed

In a last minute plan change, the Girls Gone Wild lyric video will not premiere tonight at midnight PST anymore.
The lyric video will be edited on a remix version of the single which is still being polished at the moment and we can expect that version to go with the lyric video that is now scheduled to be released next week.

Second Barcelona Show Added

A second show at Barcelona’s Palau Sant Jordi has just been added to Madonna’s 2012 World Tour schedule and will take place on June 21!

Tickets will go on sale March 1st at 10am local time.

A devoted fan club pre-sale will start on February 27 at 10am local time (pre-sales week #4)

MDNA Mastered for iTunes

Universal Music Group says that albums from popular Universal artists such as Madonna, Paul McCartney, Kaori Muraji, U2, John Coltrane and Bon Jovi are now Mastered for iTunes, giving music fans higher quality audio recordings from their favorite artists.

Mastered for iTunes albums are mastered specifically with the iTunes format in mind, ensuring the delivery of the music to listeners with increased audio fidelity, more closely replicating what the artists, recording engineers, and producers intended. Universal Music Group Mastered for iTunes titles can be found at .

Music fans can access new albums including Madonna’s “MDNA,” Paul McCartney’s “Kisses On The Bottom” and Japanese Classical Guitarist Kaori Muraji’s “Soleil — Portraits 2.” Other albums on offer include favorites such as U2’s “Achtung Baby,” John Coltrane’s “A Love Supreme” as well as Bon Jovi’s “Slippery When Wet” and “Have a Nice Day.”


How ‘Girls Gone Wild’ Came Together

“Girls Gone Wild,” the second single from Madonna’s ” MDNA,” was born from the remote union of two Italian producers and a Canadian writer, all signed to Patrick Moxey’s Ultra Music.

“Obviously it’s huge for us,” says Moxey. “We have both the producer and the top-line writer; that’s 100% share.”

The mid-tempo, four-on-the-floor party track is a tougher take on the style of Madge’s 2005 effort, “Confessions On A Dancefloor,” produced by Stuart Price: It’s undeniably dance, but with stronger electro than house markings. (“MDNA” in totality will probably be more diverse, featuring the production of disco house champion Martin Solveig on four tracks, and the darker, trance-ier William Orbit on five.)

Moxey traces the song’s beginning back to early 2011, when Ultra Records artist Benny Benassi was preparing to release “Electroman,” his fourth studio album. Moxey thought his aggressive style would “work well with some of the major American superstar artists,” so he requested additional tracks from Benny and his longtime production partner, Ale (Alejandro) Benassi, also his cousin.

Benassi is best known for single “Satisfaction,” a robotic take on the Rolling Stones original, which snagged a high-profile Wendy’s synch back in 2003. Since then, he’s made his mark with a hard-hitting electro-focused singles and DJ sets that nonetheless mesh with different genres, snagging a “Best Remix” Grammy in 2008 for Public Enemy’s “Bring The Noise.” (Skrillex just took the same award this year for his take on “Cinema,” a Benassi original.)

Moxey selected a few tracks and shared them with Jenson Vaughan, a young top-line writer based in Vancouver. Vaughn had done extensive work with U.K. producer Ian Carey, on collaborations with artists like Timbaland, Kelly Rowland and Snoop Dogg. “I was really attracted to his lyrics,” says Moxey, “and I feel Benassi in my bones, because those bass-driven tracks are so inspiring. It’s a bit like cooking, like, ‘Ooh, what would this sound like together?'”

Vaughn returned a demo just a week later, which Moxey shared with Benassi’s European co-manager Paul Sears, who in turn sent it to Guy Oseary, Madonna’s manager. Soon, the Benassi boys were on their way to London (from their home of Parma, Italy) to record with Madonna. “She loved them,” reports Moxey. “Benny is such a quality person; I think that made it all flow so much easier.”

Two tracks from that session — “Girls” and “I’m Addicted” — made it onto “MDNA,” with “Girls” opening the album.

“A brilliant way to have hits is to create hits,” says Moxey. “When you have very talented people around you, you just make the introductions, and maybe give them some direction. It’s the essence of the A&R process, but it’s so natural — it’s not contrived.”

Looking toward the release of the “GGW” video, Moxey says he isn’t concerned with a reported lawsuit from Joe Francis, creator of the “Girls Gone Wild” series of co-ed flasher videos. “When I looked at ASCAP, I noticed there were approximately 50 records called ‘Girls Gone Wild,'” he says. “This guy just thinks too much of himself.”