As the 11th tour in her over three decade-long reign as the Queen of Pop, Madame X is entirely unlike any other Madonna tour to date. For one thing, the show is designed for the theater, as opposed to her usual sold-out baseball stadium fare. (The first venue on the trek, the Brooklyn Academy of Music, seats fewer than 3,000.)
Given the close quarters, there’s no catwalk to consider, nor do fans needs to panic about which side is “better.” It’s all relatively close (“intimate,” as she purred to the crowd), and all front and center. Seeing Madonna in that environment,her first time on a theater stage since her West End debut with Up for Grabs in 2002, is objectively a special experience.
The Madame X Tour is also phone-free.
It’s 2019: we’re all addicted to our phones. Even the woman on stage — who the audience paid hundreds, and in several cases, thousands of dollars to see — teased the crowd multiple times about their phonelessness, only to admit to being addicted to her own device during a misguided monologue about technological entrapment and slavery. (A rework is needed on that speech, ASAP.) read more →