“Freedom,” sings Madonna, “is what you choose to do with what’s been done to you.” This lyric from the artist’s new song “I Rise,” off her 14th studio album Madame X, is a tribute to the resilience of the human spirit. A new video inspired by the song, created by Madonna and TIME Studios, weaves together footage of the survivors of the Parkland shooting, supporters of LGBTQ equality, Olympic gymnast Aly Raisman’s powerful testimony about sexual abuse, first responders to natural disasters and other social justice movements. The video, directed by Peter Matkiwsky, tells the story of a global population fighting for rights, recognition and survival. TIME Studios recently released its first feature film, “Amazing Grace.”
Madonna in Vanity Fair Italia (Issue #26 – June 26 2019)
Madonna’s 14th album feels stretched thin all over the globe, layered with an ambitious concept that ends up muddled and convoluted.
There is a case to be made for classifying Madonna, in 2019, as an underdog. Granted, it requires overlooking the superstar’s grotesque wealth and enduring ability to command some sort of an audience with every public move. But her status as a pop star has degraded considerably in the last 15 years. Whereas they once inspired awe, or at least controversy, her live televised appearances of late tend to yield mockery. Her days of hit-making seem long behind her. Her last album, 2015’s Rebel Heart, was a mess with more tracks and less to say than any Madonna record that preceded it. Apathy ensued.
It seems that Madonna, once queen of pop and enforcer of the regimentation that comes with that, is no longer controlling her narrative. This was never more evident than in her denouncement of a recent New York Times Magazine profile by journalist Vanessa Grigoriadis, who Madonna dragged in an Instagram post for focusing on “trivial and superficial matters” such as her age. “It makes me feel raped,” wrote Madonna, echoing a contentious comment she made to Grigoriadis about her reaction to several Rebel Heart tracks leaking months before she had completed the album. read more →
Madonna arriving at NYC’s JFK Airport (June 16 2019)
Madame X is a radical body of work, but perhaps not in the way Madonna intended. She rails against injustice and oppression with the fervor of a preacher, imbuing the album with a righteousness that is palpable. As brave and commendable as that is, the Queen of Pop’s musical missives lack nuance. Rather, it’s her complete defiance of genre that makes Madame X genuinely groundbreaking.
From the promo video that announced the era, we know that Madame X is, among other things, a nun and an equestrian. She can also add sane scientist to her resume. The pop icon concocts a collection of songs that blend reggaeton, dancehall, pop, hip-hop, afrobeat and fado — all without losing sight of her mission. As the living legend knows better than most, music makes the people come together. And she’s determined to forge unity and resistance, one pop-hybrid at a time. read more →
Madonna will be on The Tonight Show with Jimmy Fallon on Thursday June 20th.
Brazilian TV show Fantastico will air their Interview with Madonna today at 9pm:
No #Fantástico, assista a uma entrevista exclusiva com a cantora Madonna sobre seu novo álbum, que inclui uma música com Anitta. 🎼 Mas o que deixou a rainha do pop sem palavras? 🤔 Descubra neste domingo, às 21h, depois do jogo entre Uruguai e Equador.
Posted by Fantástico – O Show da Vida on Saturday, June 15, 2019
Madonna in German Magazine MusikExpress (July 2019 issue)
Thanks to Steffmad
All indicators point to a #1 debut for Madonna on next week’s HITS Top 50. With a ticket bundle and D2C offerings fueling half of the opening total, expect Madame X to give Madge her first #1 since 2012’s MDNA.
Madonna (Live Nation/Maverick/Interscope) 80-100k total activity, 75-95k album
Bruce Springsteen (Columbia) 42-47k, 40-44k
Hits Daily Double